FLYING LOTUS IN 3D - FLAMAGRA NORTH AMERICAN TOUR

AEG PRESENTS

FLYING LOTUS IN 3D - FLAMAGRA NORTH AMERICAN TOUR

Brandon Coleman Spacetalker, Salami Rose Joe Louis, PDBY

Sep 13 Fri

Doors: 8:00 pm / Show: 9:00 pm

The Ballroom at Warehouse Live

$27.50 ADV GA, $30 DAY OF SHOW

This event is all ages

At the center of Flying Lotus’ visual stage design is a pioneering technology provided by 3D Live. 3D Live’s patented technology was recently awarded a Tech Enhancement of the Year by Pollstar for its use on Flying Lotus’ last tour. 

The aptly named “Ghost Tile” or 3D LED augments Flying Lotus’ live stage show with virtual worlds of pulsing color and texture that dance off the screen surrounding performers and flying over audiences heads.

Flying Lotus
Flying Lotus
Flying Lotus is an experimental multi-genre music producer, DJ, and laptop musician from Winnetka, California. He is also a member of the group FLYamSAM with collaborator Samiyam.

His great-aunt is Alice Coltrane and he is also a cousin of Ravi Coltrane.
Brandon Coleman Spacetalker
Brandon Coleman Spacetalker
Salami Rose Joe Louis
Salami Rose Joe Louis
Salami Rose Joe Louis (real name Lindsay Olsen) - the Bay Area based musician, composer, and producer - will release her new album “Zdenka 2080” via Brainfeeder on 30 August 2019. It follows a busy start to the year in which she joined Toro Y Moi’s “Outer Peace Tour” in the US and supported The Cinematic Orchestra on their European tour.
Olsen hails from Crockett in Northern California. “It’s a tiny, very strange and sleepy little town. There is a giant sugar factory and the whole town often smells like marshmallows and caramel, which is ideal,” she says. She lives in the basement of her friend’s house which is the perfect place “to get very weird”. In 2017, in the wake of the release of her album “Zlaty Sauce Nephew”, Olsen sustained a wrist injury in a car accident that forced her to miss a fortnight of her regular job at an asbestos lab in Berkeley. Serendipitously, this coincided with one of her tracks unexpectedly being licensed for a TV commercial and Olsen decided to take the plunge. “I felt like it was a sign from the galaxies to take the leap to concentrating on music full time,” she smiles.
Drawing inspiration from film, literature, art, and music, “Zdenka 2080” was heavily influenced in particular by a series of apocalyptic sci-fi novels by Octavia Butler and Gene Wolf. “They inspired me to explore the realms of fantasy as a means of illuminating concepts and truths about our own society and humanity,” she says. “I also was very inspired by the movies Tekkonkinkreet and Embrace of the Serpent - a beautiful exploration of capitalism, colonialism and greed.”
Musically, Olsen references fellow members of Oakland record label/musical family Hot Record Societe: Cheflee, Mejiwahn, Asonic Garcia and Pacific Yew as ever present influences, alongside musical giants Shuggie Otis and Herbie Hancock, composer, bandleader and all-round visionary Raymond Scott, plus the likes of Stereolab and Flying Lotus.
“Sometimes my songs can be very silly and whimsical,” Olsen explains - with new single ‘Cumulous Potion (For the Clouds to Sing)’ being a case in point. “Sometimes they are more serious and emotional. I was looking for a way to weave all of my styles into a cohesive narrative, and I found a lot of inspiration in the way often movies and shows in the animé tradition seamlessly connect the whimsical, silly, serious, and meaningful.”
Olsen’s music is highly conceptual and “Zdenka 2080” describes a future dystopian Earth in the year 2080 that has been mis-managed by unethical governments and corporations. An initiative by greedy big business to capture solar energy to power a super-sized spaceship, results in a rapidly cooling Earth, and the elite escape via the spaceship to colonize another distant planet. The earthlings left behind find themselves fading with the cooling sun. The first half of the album follows the journey of a young earthling left behind. She discovers an octagonal room with eight paintings, each one leading to a new dimension, and travels through the dimensions in search of a way to save her planet. Her journey eventually leads her to a window where we discover that the octagonal room is the brain of the Earth and the paintings and coinciding dimensions are the thoughts of the Earth creature. The imagery of the paintings affect the thoughts of the Earth creature. Zdenka is the name of the artist who creates the paintings inside the octagonal room. Thus, she can influence the thoughts and actions of the Earth creature and humans on Earth based on what she paints. In this story, Zdenka is lost and confused and she paints very dark imagery. The young earthling begins a quest to find and convince her to paint more positive imagery.
Olsen says that her moods are often very connected to whether or not she is feeling creatively inspired and productive. “I have noticed creative blocks for me can be dark spirals into ego-centric, self loathing, isolating, and selfish tendencies,” she explains. “In this story, I wanted to explore the ways in which art can easily take dark and careless turns, but how important it is to remember the effects art has on others. I am not advocating for optimistic art only - I just wanted to write this story as a reminder to myself to strive to be intentional in the art I create."
PDBY
PDBY
PBDY is the alias of Paul Preston, an LA-based DJ, producer of Brainfeeder, and founder of TAR, a rising label and artist collective. Discovering a love for music in his early years in Phoenix, PBDY began his first musical experiments after purchasing an MPC and some turntables, and no sooner was he DJing around town as much as possible. The next step was a move to Los Angeles, inspired by Flying Lotus, who, too, was just starting his career, and suggested via Myspace that PBDY take the jump. By July 2011, PBDY was settled on the West Coast, keen to immerse himself in LA's beat scene "I had no-one out here, but it felt like home right away,"

Together with Jeremiah Jae, PBDY began blending his own sounds with Jeremiah's raps, the results of which have arrived via a Brainfeeder mixtape in 2016 under the alias JP Moregun.

PBDY's solo material remains a work in progress—although it has surfaced only to be deleted soon thereafter. He is now working on his debut solo record for Brainfeeder. As a DJ, he's supported both Thundercat, The Cinematic Orchestra and Flying Lotus on world tours.
Venue Information:
The Ballroom at Warehouse Live
813 Saint Emanuel Street
Houston, TX, 77003
http://www.warehouselive.com/